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The Big One-Oh JR.

  • Performances must be done by accredited schools using students only.
  • Sorry, orders cannot be processed for Community Theatres, Children's Theatres or Performing Arts schools which do not have an academic curriculum.

Broadway Collection musicals make take ~1 week to process since a separate licensing contract must be signed. Please plan to accordingly to order these shows.

The Big One-Oh JR.
The Big One-Oh JR.

Charley Maplewood has never been one for parties – that would require friends, which he doesn’t have. Well, unless you count his monster friends, but they’re only imaginary. But now that he’s turning ten—the big one-oh—he decides to throw a birthday party for himself, complete with a “House of Horrors” theme. Of course, things don’t work out as he plans. Will Charley be able to pull it together before the big one-oh . . . becomes the big OH-NO!?


Based on the beloved book, The Big One-Oh! features lyrics by Academy Award-winner Dean Pitchford (author of the novel, Footloose), music by the acclaimed Tony-nominated Doug Besterman (Elf, Young Frankenstein), and a book by iTheatric's award-winning playwright Timothy Allen McDonald (Roald Dahl's Willy Wonka, James and the Giant Peach).


Music byDoug Besterman

Lyrics byDean Pitchford

Book byTimothy Allen McDonald


ShowKit Information: Like with all Broadway Junior shows, you receive a ShowKit with your license. This will also be delivered all digitally to you. This Digital ShowKit includes the following Broadway Junior resources:

  • Actors Scripts
  • Director's Guide
  • Guide Vocal Tracks
  • Performance Accompaniment Tracks
  • Logo Pack
  • Streaming Choreography Videos will be delivered via emailed link

The videotaping or other video or audio recording of this production is strictly prohibited

Cast List

  • Cast Size: Large (21 or more performers)
  • Cast Type: Children


Character Breakdown


Charley Maplewood

The hero of our story. he’s a nine-year-old about to turn ten with no clue about how to celebrate his upcoming birthday. His family has recently moved, so he’s in a new school where he feels friendless. To cope with his loneliness, Charley has conjured up three imaginary friends – his Monsters – from the pages of his favorite comic book series, Monsters & Maniacs. Cast an actor who can sing, move, and act very well. The single most important quality to look for in an actor, however, is likeability. You want a Charley with whom your audience will fall in love and cheer for from the start.

Gender: Male
Vocal range top: D5
Vocal range bottom: A3

Boing Boing

Charley’s dog, his most patient and supportive friend. Without words, Boing Boing communicates with a whimper or a bark, a turn of the head, a scowl, the lifting of a paw, or the raising of an eyebrow. Cast an actor with good physicality and a sense of playfulness. A clever and agile performer can improvise moments beyond those in the script.

Mrs. Cleveland

Fresno’s biggest snoop and the neighborhood busybody. Cast an actress with a BIG speaking voice who’s unafraid to overact – someone who can dominate the stage whenever she enters. She has no solos but should be able to contribute to ensemble numbers.

Gender: Female

Dad

Charley’s father, lives in Scotland but pops up whenever Charley refers to him. He’s big-hearted and upbeat, even though he never seems to get the date of Charley’s birthday right. He’s a chef – a really good one, according to Charley. Look for an actor with a good voice, a strong sense of rhythm, and a big smile.

Gender: Male
Vocal range top: F5
Vocal range bottom: C4

Zombie King, Swampy, and Alien

Charley’s imaginary friends – his 3 Monsters. When Charley is feeling frazzled or friendless, his Monsters appear to talk him through any dilemma. To play these fantastical creations, cast actors who can give their own special spin to these characters, starting with quirky speaking voices that will differentiate them. Look for actors who are physically adept, since these ‘creatures’ might squat or slither or jump or roll as they weave their way around Charley. They sing together a lot, so be sure your actors are good with harmonies.

Vocal range top: C5
Vocal range bottom: A3

Garry Quarky

Charley’s puzzling next- door neighbor. He starts out seeming like a scatterbrained mad scientist, but eventually reveals himself to be a talented creator of special effects who shares many of Charley’s interests – not only in Monsters & Maniacs but in all sorts of scary and ooky stuff as well. Their friendship is one of the most surprising in Charley’s young life. Cast an excellent actor and singer with improvisational and comedic skills who is also able to handle props with ease.

Gender: Male
Vocal range top: G5
Vocal range bottom: C4

Mom

A nurse with a challenging work schedule, patient and supportive of both her children, always trying to figure them out as best she can. She goes out of her way to say good things about her ex-husband (Dad) whenever he comes up. Cast a steadfast actress with a calm demeanor and a ready smile whom we’ll believe can weather the obstacles facing a single mother of two. She has a very small solo (“Lullaby”), but sings in group numbers.

Gender: Female
Vocal range top: C#5
Vocal range bottom: A3

Lorena

Charley’s eye-rolling older sister who works at a fast-food restaurant. Because she is always tossing her hair and scoffing in exasperation, look for an actress who’s not afraid to be funny. Lorena carries one number (“So Lame”), which is deceptive in its difficulty. Cast an actress with a good sense of timing who can hold her own when singing harmonies with others.

Gender: Female
Vocal range top: C#5
Vocal range bottom: A3

Lillian, Lilith, and Leilani (The 3 L’s)

Lorena’s friends who sing backup for her during “So Lame.” Cast performers who can match Lorena’s teenage attitude and are comfortable singing tight harmonies.

Gender: Female
Vocal range top: E5
Vocal range bottom: F#4

Donna Pointer

The most popular girl in school. She’s a bouncy social butterfly who has lots of friends and a very full calendar. She has important solo lines in several numbers, so cast someone with a solid singing voice who can exude effervescent enthusiasm.

Gender: Female
Vocal range top: B4
Vocal range bottom: A3

Dina and Dana

Donna’s best friends. These three go everywhere together, so cast actors who can match Donna’s high energy.

Gender: Female
Vocal range top: Bb4
Vocal range bottom: F4

Darryl Egbert

The smartest boy in fourth grade. He’s also a bit of a mess. His brain – and his mouth – are constantly running at a hundred miles an hour as he obsesses and processes every little thing. The role requires an actor who can explode with energy while also accurately delivering some challenging

Gender: Male
Vocal range top: E5
Vocal range bottom: D4

Cougar

Together with Scottie – Fresno Elementary School’s resident bad guys. Cougar (whose real name is Leland, but don’t call them that!) enjoys swaggering through the school hallways, acting tough but never following through on their threats. Cast any actor with an imposing physicality – someone with a lot of bark but no bite. Like all of Charley’s classmates, Cougar must sing with conviction and power and be able to harmonize

Vocal range top: D5
Vocal range bottom: A3

Scottie

Cougar’s sidekick – a bully without a mean bone in their body. Scottie, lacking Cougar’s inventiveness, is always ready to go along with whatever shenanigans Cougar suggests. Cougar and Scottie together form a comedy duo, so cast two actors with strong voices who can make us (and each other) laugh!

Vocal range top: C5
Vocal range bottom: A3

Jennifer Mobley

New to Fresno Elementary School and having trouble making friends. But because they both share an interest in Monsters & Maniacs, Jennifer has targeted Charley with her aggressive excitement, dashing into every scene she’s a part of and interrupting whatever else is going on. Her indomitable high spirits seem indestructible... until Charley fails to invite her to his birthday party. She carries one of the most important songs in the show – the only ballad! – so cast an actress with a strong voice and a good vocal range who can portray manic energy as well as wounded introspection

Gender: Female
Vocal range top: E5
Vocal range bottom: A3

Vince Champagne

A back-slapping, loud- talking party planner who’s unafraid to speak his mind, no matter whom he offends in the process. Vince is dating Mom, which is how he comes to offer Charley “Vince Champagne’s three basics of a good birthday party.” Cast an actor who – with his voice, personality, and physicality – can fill up a stage and mow down anyone who gets in his way.

Gender: Male
Vocal range top: D5
Vocal range bottom: B3

Assistant Andy and Assistant Annie

Vince Champagne’s assistants in “A Perfect Party.” They each have brief featured solo lines in the song and sing with small groups too. These are great roles for young performers who are newer to the stage.

Vocal range top: B4
Vocal range bottom: B3

Stacy

Garry’s ex-girlfriend. She has no sung solos but can shine during her brief breakup scene with Garry. This is a good role for a fantastic actor who can do a lot with a cameo.

Gender: Female

Ensemble

Consists of Company, Monster Chorus, Students (Popular Kids, Bullies, Nerd Herd), Lion King Performers, Lion King Soloist, Jennifer’s Mom, Jeffrey Stovall, Motorcycle Cop, and Garry's Community Theater Friends. These are great spots for anyone who’d like to be involved in your show! Note that Jennifer’s Mom, Jeffrey Stovall, and Motorcycle Cop are non-singing

Musical Numbers


    • Happy Birthday From Scotland
    • Monsters & Maniacs (Part 1)
    • Monsters & Maniacs (Part 2)
    • The Birthday Card
    • Some Sort Of Celebration
    • So Lame (Part 1)
    • So Lame (Part 2)
    • So Lame (Part 3)
    • Delicious
    • Can You Call This Person A Friend? (Part 1)
    • Can You Call This Person A Friend? (Part 2)
    • A Perfect Party
    • Jennifer Is Gonna Have A Birthday
    • So Lame (Reprise 1)
    • Better Than A “Boo!”
    • Making Invitations
    • Lullaby
    • The Invitation
    • Making Special Effects
    • So Lame (Reprise 2)
    • This Is Big
    • This Is Big (Encore)
    • That Could Be Me
    • Better Than A “Boo!”(Reprise 1)
    • We’ve Got Each Other
    • House Of Horrors
    • Better Than A “Boo!” (Reprise 2)
    • This Is Big Finale
$695.00
  • Stock: In Stock
  • Item Number: BOO

Broadway Collection FAQ

Your Performance License is good for 12 months. You can keep all the materials after the 12 month period, but the materials are not reusable.

You will need to purchase a new kit and sign a new performance license if you would like to perform the show again at another time. The materials are not re-useable, refundable or transferable.

The shows that can be videotaped with the purchase of a Video License at $75 include:

  • Disney's Aladdin JR.
  • Disney's Aladdin KIDS
  • Annie JR.
  • Annie KIDS
  • Disney's The Aristocats KIDS
  • Disney's Beauty and the Beast JR.
  • Disney's Cinderella KIDS
  • Dear Edwina JR.
  • Magic Tree House: Dinosaurs before Dark KIDS
  • Elf The Musical JR.
  • Fame JR.
  • The Musical Adventures of Flat Stanley JR.
  • Disney's Frozen JR.
  • Magic Tree House: A Ghost Tale for Mr. Dickens JR.
  • Guys and Dolls JR.
  • Disney's High School Musical 2 JR.
  • Disney's High School Musical JR.
  • Honk! JR.
  • Roald Dahl's James and the Giant Peach JR.
  • Disney's The Jungle Book KIDS
  • Magic Tree House: The Knight at Dawn KIDS
  • Disney's The Lion King JR.
  • Disney's The Lion King KIDS
  • Disney's The Little Mermaid JR.
  • Madagascar - A Musical Adventure JR.
  • Mary Poppins JR.
  • Disney's My Son Pinocchio JR.
  • Peter Pan JR.
  • Magic Tree House: Pirates Past Noon KIDS
  • Seussical JR.
  • Seussical KIDS
  • Shrek The Musical JR.
  • Singin' in the Rain JR.
  • Disney's Winnie the Pooh KIDS

Main restrictions: video recordings are for cast/crew/families only, can't be sold and can't be broadcast in any way including on the Internet.


The remaining shows do not allow videotaping. Parents cannot tape, even just for their own personal in-home use. It has nothing to do with how the tape would be used, not being sold, etc. It all comes down to legal copyright rights. Here is how Music Theatre International explains it:


Unfortunately, the rights to videotape are not available. Copyright law gives authors the exclusive right to control the reproduction of their work. When a license is granted for a live stage production of a show, that license does not include the right to tape it because the authors retain the sole right to decide when or if their work is recorded in any way. Even a videotape made for classroom use, as a personal memento or as an archival school record violates the authors' separate right to reproduce their work. In most cases, the authors have already granted such rights exclusively to film or television companies, in which case videotaping this show would also be infringing upon the rights granted by the authors to a third party.


There is no broadcasting of the show in any way, even if you've signed a video license. The license specifically restricts the right to broadcast your performance on YouTube, any school channel, etc.

No. All performers are required to be in the 9th grade or under when the show is performed.

No. The show must be performed exactly as it has been provided to you in the ShowKit™ materials and you cannot delete, alter or make changes of any kind in the text of the play, the musical numbers, characters or characterizations.

BROADWAY JUNIOR/KIDS

With the MTI ShowKit™ that comes with every Broadway Junior show, there's no way to fail! Even teachers with no theatrical training or experience can easily put on a successful production. All ShowKits™ contain helpful materials enabling you to make your musical the ultimate interdisciplinary teaching tool.


The ShowKit™ includes*:


  • Director's Guide
    • Tips and suggestions on casting, rehearsals, directing, choreography, costumes, sets, props, lighting and more
    • Curriculum Connections featuring educational activities and lesson plans tied to the show
  • 30 Actor Scripts - For all the actors to customize and keep
  • Performance Accompaniment & Guide Vocal Tracks
    • Adapted from the original Broadway orchestrations and professionally produced
    • Great keys for young singers
    • Guide-vocal tracks allow students to "sing along" - learning the music is easy and fun
    • Fully orchestrated accompaniment-only tracks are excellent for live performances with good tempos and easy-to-follow cues
  • One Piano/Vocal Score
    • Complete scores for the director and rehearsal/performance pianist
    • Complete piano/vocal score with script cues
    • Transposed into age-appropriate keys
    • Easy-to-read format
  • Choreography Videos
    • Instructional choreography videos with world-renowned choreographer Steven Kennedy
    • Steven shows you everything you need to know to handle the dance portions of your MTI Broadway Junior Collection® title
  • Downloadable Resources
    • Audition materials
    • Customizable press release
    • Customizable show program
    • Helpful templates

* Some showkits have additional or fewer components. See specific show web pages for exact contents.


THE NEW DIRECTOR'S GUIDE

We've been busy updating all of our ShowKits™ to ensure they remain the best educational resource in the industry. One of the most exciting new elements is the fully re-conceived Director's Guide, patterned after Broadway production show books. In addition to all of the content you love in the classic Director's Guide, features of the new Director's Guide include:


  • A three-ring binder allowing you to carry all of your production information in one place and expand and customize the binder to meet your production needs
  • The Actor's Script section of the Guide features a full-sized script for easier viewing
  • Expanded resources in all production and curriculum areas that reach three levels of directing experience: beginning, intermediate and advanced
  • Downloadable resources including audition materials and editable forms

Young@Part/Younger@Part

Each Showbox includes:

  • 30 Cast Script/Vocal Books
  • Director's Script
  • 2 Piano/Vocal Scores
  • Guide Vocals CD
  • Performance Tracks CD
  • Logo Pack CD

TRW is thrilled to announce the inclusion of two vital production resources in our Young@Part® ShowBox: choreographic videos brought to you by The Original Production (TOP), and Digital Backdrops from Broadway Media Distribution (BMD). We consider these creative elements - choreography and scenic design - as crucial to the production value of a show. Your Digital Backdrops and Choreographic Videos will be delivered digitally as soon as you've booked your Young@Part® license. We can't wait to give you access to these incredible production tools so you can see firsthand what the excitement is about.


CHOREOGRAPHIC GUIDE VIDEOS BY TOP

TOP Choreographic Videos provide step-by-step instruction from Broadway choreographers, giving you and your cast the training to execute each number in the show. Whether you use the choreography as is or adapt it for the unique needs of your cast, this thorough teaching tool is a framework for bringing memorable dance numbers to your show. TOP not only breaks down the dance sequences, but also examines the history and development of each style of movement in the show. Teachers consistently share with us how TOP has helped challenge and motivate their students, provide development for their choreographers, and bring a "wow factor" that thrills their audiences.

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