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Honk! JR.

  • Performances must be done by accredited schools using students only.
  • Sorry, orders cannot be processed for Community Theatres, Children's Theatres or Performing Arts schools which do not have an academic curriculum.

Broadway Collection musicals make take ~1 week to process since a separate licensing contract must be signed. Please plan to accordingly to order these shows.

Honk! JR.
Honk! JR.

Credits

Book by Anthony Drewe

Music by George Stiles

Lyrics by Anthony Drewe

Based on Hans Christian Andersen's "The Ugly Duckling"

Overview / Synopsis

Adapted for young performers, and with a score by George Stiles and Anthony Drewe (Mary Poppins), Honk! JR. is a heartwarming celebration of being different that is sure to delight audiences of all ages with its sparkling wit, unique charm and memorable score. Witty and hilarious, but also deeply moving, Honk! JR. will treat your audiences to equal amounts of laughter and tears.

Ugly looks quite a bit different from his darling duckling brothers and sisters. The other animals on the farm are quick to notice and point this out, despite his mother's protective flapping. Feeling rather foul about himself, the little fowl finds himself on an adventure of self-discovery, all the while unknowingly outwitting a very hungry Cat. Along the way, Ugly meets a whole flock of unique characters and finds out being different is not a bad thing to be.

Featuring a flexible cast size, Honk! JR. can be performed with simple sets and costumes. No feathers or fur necessary!


Cast of Characters
Ducklings Beaky, Fluff, Billy, Downy are Ugly's siblings - cute little kid types. They are among the "popular" ones in the duck yard who enjoy making Ugly feel left out. They sing as a group.
Ugly The ugly duckling and the main character. Innocent, easily confused and very impressionable, Ugly doesn't understand why it is wrong being different. However, his insecurities melt away as his character gradually changes from a gullible duckling to a wise swan, filled with self-esteem. He is the heart and soul of the show. He must be a strong singer and good actor.
Gender: Male
Vocal range: D4-F5
Ida Ugly's mom. Ida is extremely protective of her son and committed to his safety. She is sweet but feisty, and she knows how to handle her husband, Drake. After Ugly is lured away from the barnyard by the Cat, Ida is determined to find him. Ida and Ugly's relationship is a key ingredient of the show. She is the one who teaches him that it is OK to be different. Ida sings several solos, and therefore she should have a strong soprano singing voice.
Gender: Female
Vocal range: F4-A5
Drake Ida's husband. Drake is a sarcastic character. He is the stereotypical sitcom father - often shirking his parental duties. Drake finds Ugly quite repulsive and isn't afraid to say it to anyone, including his wife. He should have good comic timing and a strong singing voice. Drake opens the show singing "A Poultry Tale."
Gender: Male
Vocal range: A3-F5
Maureen A moorhen and Ida's best friend. (Originally found on the moors, a moorhen is a hen that lives near the water.) Maureen genuinely loves Ida, but she can't resist a bit of good gossip. To the little ducklings, she is the typical annoying and overly affectionate "aunt." Maureen sings "The Joy of Motherhood" with Ida, so she should also be a strong singer.
Gender: Female
Vocal range: G#4-C#5
The Cat The sly, cunning villain of the show. All of the other animals are deathly afraid of him. He is manipulative, cunning, witty and above all, HUNGRY. The Cat pretends to be Ugly's friend so he can eat him. The actor playing this role (which could be played by a male or a female) should bring a sense of fun to the character and have a good sense of comic timing. He sings a few songs, but his character allows for many of the lyrics to be "talk-sung." Improv skills are a plus.
Gender: Both
Vocal range: A3-Eb5
Greylag A somewhat pompous goose and washed-up British military type, Greylag tends to over glorify his mundane activities (i.e. migrating South) to the level of military operation status. Only his wife, Dot, truly knows how to handle him. He sings a solo in "Wild Goose Chase."
Gender: Male
Vocal range: A4-C5
Dot A motherly type, she is genuinely concerned with helping Ugly find his mother. Dot doesn't think that Greylag, her husband, is an entirely capable leader, but she kindly humors his "over the top" actions. She sings solo as well as with Greylag in "Wild Goose Chase." Good singer.
Gender: Female
Barnacles The geese in Greylag's "squad." They join in singing "Wild Goose Chase." Good singers.
Gender: Both
Snowy The geese in Greylag's "squad." They join in singing "Wild Goose Chase." Good singers.
Gender: Both
Pinkfoot The geese in Greylag's "squad." They join in singing "Wild Goose Chase." Good singers.
Gender: Both
The Bullfrog A laidback, self-confident frog with whom Ugly comes into contact in the second half of the show. The frog cheers Ugly up with his/her song, "Warts and All." Optimistic and funny, he/she is a stand-up comedian type of character well-suited to someone with good improvisational sills and comic timing. This role can be played by a male or female.
Gender: Both
Vocal range: A3-F5
Penny The young, beautiful swan that Ugly saves from a tangled fishing net. She is able to see beyond Ugly's looks and she loves him for who he is. She does not sing solo.
Gender: Female
Father Swan Penny's family. They help to console Ida when she thinks her son has died, and they offer to take Ugly with them when they migrate. They do not sing solos.
Gender: Male
Mother Swan Penny's family. They help to console Ida when she thinks her son has died, and they offer to take Ugly with them when they migrate. They do not sing solos.
Gender: Female
Berwick Penny's family. They help to console Ida when she thinks her son has died, and they offer to take Ugly with them when they migrate. They do not sing solos.
Gender: Both
Grace The most distinguished duck on the lake. Very aristocratic, she is considered the queen of the duck yard. All of the other animals look up to Grace and respect her. She, of course, is quite aware of this and is therefore a little bit haughty.
Gender: Female
The Turkey The headmaster of the ducklings' school. The Turkey is a bit snobbish and joins in the fun of teasing Ugly. There is of course one word that send shivers down his spine - THANKSGIVING! The Turkey does not sing solo.
Gender: Male
Henrietta A hen and another of Maureen's friends. Henrietta and Maureen gossip about the goings on in the duck yard. She takes great pleasure in making fun of Ugly. Henrietta does not sing solo.
Gender: Female
Jay Bird An investigative reporter. A very "in your face" bird, all she/he cares about is getting a good story. She/He is the typical TV news personality who one would find on a reality TV show like "America's Most Wanted." She/He reports a story about Ugly's disappearance. Note: If this character is played by a female, the name can be changed to "Maggie Pie." 
Gender: Both
The Farmer The only humans in the show. They are never seen by the audience, only their voices are heard. These voices may be pre-recorded or said live from backstage during the show.
Gender: Both
Boy The only humans in the show. They are never seen by the audience, only their voices are heard. These voices may be pre-recorded or said live from backstage during the show.
Gender: Male
Girl The only humans in the show. They are never seen by the audience, only their voices are heard. These voices may be pre-recorded or said live from backstage during the show.
Gender: Female

Ensemble The remaining actors in the company play a number of different roles. Throughout the action of the play they take on roles as barn yard animals, geese, children at play, froglets, and part of the Blizzard scene.
Gender: Both



Musical Numbers

A Poultry Tale
The Joy of Motherhood
Different (Pre-Reprise)
Hold Your Head Up High
Look at Him
Different
Play with Your Food
Every Tear a Mother Cries
The Wild Goose Chase
The Joy of Motherhood (Reprise)
Warts and All
The Blizzard
The Transformation
Look at Him (Reprise)
Warts and All (Reprise)
Melting Moggy

Important: Due to the fact that "grandrights" must be obtained for licensing and performance of Junior Shows, certain restrictions do apply:

  • Performances must be done by accredited schools using students in Grade 9 or under only. High schools with students older than ninth grade must contact Music Theater International directly.
  • Sorry, orders cannot be processed for Community Theatres, Children's Theatres or Performing Arts schools which do not have an academic curriculum.
  • Your purchase price includes the materials in the showkit plus unlimited performing rights for one year. Upon placing your order, you will receive a performance rights license from Hal Leonard Corporation. After the completed license is returned to Hal Leonard, they will send out the complete Showkit (non-returnable). Twisted Plays will then send you an invoice for the material.
  • Products may be sold only in the United States and Canada.
$695.00
  • Stock: In Stock
  • Item Number: HL09971609
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Broadway Collection Licensing Steps

Whether you're looking for an Broadway Collection show based on a recent hit from Broadway, a timeless classic, a beloved Disney tune or a show based on an award-winning book, we have something for everyone.

Simply browse the collection from the list on our Broadway Junior, Broadway Kids, Young@Part or Younger@Part showpages, and you'll find helpful information on the shows' requirements on their individual show pages.


Read a Copy of the Script Before You Decide

Not sure what show you'd like to perform? Order an audio sampler of a script (also comes with a full listening CD of the show) so you can read the libretto to see if it's right for your group. Read one or read several musicals to help you make the best decision. We strongly recommend you read the script before you book a show - even if you think you know a title. Only you know what material is appropriate for your school.

Audio Samplers are available from Twisted Plays for $10-$15 USD (plus shipping) each. These are yours to keep, even if you decide not to perform the show.

Twisted Plays knows schools are facing challenging times, so they've created a special license just for accredited schools grades K-9. This license includes all the ShowKit™ resources listed above, plus the right to perform the show as many times as you would like within one year.


  • MTI's 30-minute KIDS titles range from $395 to $645
  • MTI's 60-minute JR. titles range from $550 to $795
  • Young@Part titles are $675
  • Younger@Part titles are $525


Simply order your selected musical from Twisted Plays. Be sure to include your school's shipping and contact information.

Once Twisted Plays has received your order your License Agreement will be sent/emailed/faxed to you. This is generally a quick process, so be sure to contact us at info@twistedplays.com if you do NOT receive your License Agreement within one week of placing your order.

Read over your License Agreement CLOSELY to be sure you understand it. Broadway Collection titles are non-returnable, so once you sign the license, you've made your purchase. Sign your agreement and return it to Hal Leonard as soon as possible.


Once we receive your signed agreement we will ship your order.

Congratulations! You're on the way to what we hope is one of the most exciting and rewarding experiences of yours' and your students' lives! When your ShowKit™ arrives in the mail you're ready to start rehearsing.

Broadway Collection FAQ

Your Performance License is good for 12 months. You can keep all the materials after the 12 month period, but the materials are not reusable.

You will need to purchase a new kit and sign a new performance license if you would like to perform the show again at another time. The materials are not re-useable, refundable or transferable.

The shows that can be videotaped with the purchase of a Video License at $75 include:

  • Disney's Aladdin JR.
  • Disney's Aladdin KIDS
  • Annie JR.
  • Annie KIDS
  • Disney's The Aristocats KIDS
  • Disney's Beauty and the Beast JR.
  • Disney's Cinderella KIDS
  • Dear Edwina JR.
  • Magic Tree House: Dinosaurs before Dark KIDS
  • Elf The Musical JR.
  • Fame JR.
  • The Musical Adventures of Flat Stanley JR.
  • Disney's Frozen JR.
  • Magic Tree House: A Ghost Tale for Mr. Dickens JR.
  • Guys and Dolls JR.
  • Disney's High School Musical 2 JR.
  • Disney's High School Musical JR.
  • Honk! JR.
  • Roald Dahl's James and the Giant Peach JR.
  • Disney's The Jungle Book KIDS
  • Magic Tree House: The Knight at Dawn KIDS
  • Disney's The Lion King JR.
  • Disney's The Lion King KIDS
  • Disney's The Little Mermaid JR.
  • Madagascar - A Musical Adventure JR.
  • Mary Poppins JR.
  • Disney's My Son Pinocchio JR.
  • Peter Pan JR.
  • Magic Tree House: Pirates Past Noon KIDS
  • Seussical JR.
  • Seussical KIDS
  • Shrek The Musical JR.
  • Singin' in the Rain JR.
  • Disney's Winnie the Pooh KIDS

Main restrictions: video recordings are for cast/crew/families only, can't be sold and can't be broadcast in any way including on the Internet.


The remaining shows do not allow videotaping. Parents cannot tape, even just for their own personal in-home use. It has nothing to do with how the tape would be used, not being sold, etc. It all comes down to legal copyright rights. Here is how Music Theatre International explains it:


Unfortunately, the rights to videotape are not available. Copyright law gives authors the exclusive right to control the reproduction of their work. When a license is granted for a live stage production of a show, that license does not include the right to tape it because the authors retain the sole right to decide when or if their work is recorded in any way. Even a videotape made for classroom use, as a personal memento or as an archival school record violates the authors' separate right to reproduce their work. In most cases, the authors have already granted such rights exclusively to film or television companies, in which case videotaping this show would also be infringing upon the rights granted by the authors to a third party.


There is no broadcasting of the show in any way, even if you've signed a video license. The license specifically restricts the right to broadcast your performance on YouTube, any school channel, etc.

No. All performers are required to be in the 9th grade or under when the show is performed.

No. The show must be performed exactly as it has been provided to you in the ShowKit™ materials and you cannot delete, alter or make changes of any kind in the text of the play, the musical numbers, characters or characterizations.

BROADWAY JUNIOR/KIDS

With the MTI ShowKit™ that comes with every Broadway Junior show, there's no way to fail! Even teachers with no theatrical training or experience can easily put on a successful production. All ShowKits™ contain helpful materials enabling you to make your musical the ultimate interdisciplinary teaching tool.


The ShowKit™ includes*:


  • Director's Guide
    • Tips and suggestions on casting, rehearsals, directing, choreography, costumes, sets, props, lighting and more
    • Curriculum Connections featuring educational activities and lesson plans tied to the show
  • 30 Actor Scripts - For all the actors to customize and keep
  • Performance Accompaniment & Guide Vocal Tracks
    • Adapted from the original Broadway orchestrations and professionally produced
    • Great keys for young singers
    • Guide-vocal tracks allow students to "sing along" - learning the music is easy and fun
    • Fully orchestrated accompaniment-only tracks are excellent for live performances with good tempos and easy-to-follow cues
  • One Piano/Vocal Score
    • Complete scores for the director and rehearsal/performance pianist
    • Complete piano/vocal score with script cues
    • Transposed into age-appropriate keys
    • Easy-to-read format
  • Choreography Videos
    • Instructional choreography videos with world-renowned choreographer Steven Kennedy
    • Steven shows you everything you need to know to handle the dance portions of your MTI Broadway Junior Collection® title
  • Downloadable Resources
    • Audition materials
    • Customizable press release
    • Customizable show program
    • Helpful templates

* Some showkits have additional or fewer components. See specific show web pages for exact contents.


THE NEW DIRECTOR'S GUIDE

We've been busy updating all of our ShowKits™ to ensure they remain the best educational resource in the industry. One of the most exciting new elements is the fully re-conceived Director's Guide, patterned after Broadway production show books. In addition to all of the content you love in the classic Director's Guide, features of the new Director's Guide include:


  • A three-ring binder allowing you to carry all of your production information in one place and expand and customize the binder to meet your production needs
  • The Actor's Script section of the Guide features a full-sized script for easier viewing
  • Expanded resources in all production and curriculum areas that reach three levels of directing experience: beginning, intermediate and advanced
  • Downloadable resources including audition materials and editable forms

Young@Part/Younger@Part

Each Showbox includes:

  • 30 Cast Script/Vocal Books
  • Director's Script
  • 2 Piano/Vocal Scores
  • Guide Vocals CD
  • Performance Tracks CD
  • Logo Pack CD

TRW is thrilled to announce the inclusion of two vital production resources in our Young@Part® ShowBox: choreographic videos brought to you by The Original Production (TOP), and Digital Backdrops from Broadway Media Distribution (BMD). We consider these creative elements - choreography and scenic design - as crucial to the production value of a show. Your Digital Backdrops and Choreographic Videos will be delivered digitally as soon as you've booked your Young@Part® license. We can't wait to give you access to these incredible production tools so you can see firsthand what the excitement is about.


CHOREOGRAPHIC GUIDE VIDEOS BY TOP

TOP Choreographic Videos provide step-by-step instruction from Broadway choreographers, giving you and your cast the training to execute each number in the show. Whether you use the choreography as is or adapt it for the unique needs of your cast, this thorough teaching tool is a framework for bringing memorable dance numbers to your show. TOP not only breaks down the dance sequences, but also examines the history and development of each style of movement in the show. Teachers consistently share with us how TOP has helped challenge and motivate their students, provide development for their choreographers, and bring a "wow factor" that thrills their audiences.

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